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The Divine Proportion, also known as the Sacred Cut, the Golden Mean or the Phi Ratio is highly illustrated in this fascinating book that provides insights into Galactic and Atomic Mathematics. It is revealed in ancient temples and pagodas, in classical paintings like the Mona Lisa, in the cross-sectional view of D.N.A. molecules and transverse cuts of pawpaws and apple slices showing the packing of seeds in Phi-ve (5) Pointed Star arrangements. Phi is
in the nesting of the 5 and only universal shapes that fit inside a sphere and having equal angles, lengths and faces: the 5 Platonic Solids which are the Keys to Alchemy, and obey a universal mathematical ratio determined by the famous Fibonacci Sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 etc.
These numbers are noticed in the counter-rotating fields or spirals of the sunflower, pine cone and many other biological forms. This is the study of the Universe as reflected in all parts of the Human Body.
This is the Mathematics of Infinity: Phi (F) expressed as a principle or function or ratio rather than a number: "Unity is in relationship to 1.61803398 (the decimal part goes on forever without any detectable repetitious pattern) and has fascinated many cultures for millennia and been dubbed, by great phiosophers as a Transcendental Number, like Pi (P), again having no handle to grab or understand its decimal path. Finally for the first time in print, a distinct handle or Pattern has been found and explained and is revealed in Chapter 7 of this book: 'Phi Decoded. Secret Formula Revealed'. The clue is related to the external angle of the Pentagram being 108 degrees. This corresponds directly with the Mantra for Enlightenment, chanted 108 times, known as the Gayatri Mantra which has a sanskrit value of 108 and counted with the 108 rosary beads. Its is a sonic code. All Mathematics is meaningless without Sound Vibration. The Shape corresponding to the 108 phi Code is the Dodecahedron (having 12 pentagonal faces with angles of 108 degrees!) which either needs to be constructed within our Hearts and or fractally built etherically around us in our Meditations.
This Phi Ratio is part of our Ascension Process and is an important clue to accessing our Multi-Dimensionality.

Also Known as :

The divine section

The divine proportion

The sacred cut

The perfect division

The extreme balance

The golden mean

The golden section (aurea section)

The golden ratio

The golden measure

The phi ratio

BACK COVER BLURB:

THE BOOK OF PHI

THE LIVING MATHEMATICS OF NATURE

VOLUME 1

·        The DIVINE PROPORTION, also known as the SACRED CUT, the GOLDEN MEAN or the PHI RATIO is highly illustrated in this fascinating book that provides insights into Galactic and Atomic Mathematics. It is revealed in ancient temples and pagodas, in classical paintings like the Mona Lisa, in the cross-sectional view of D.N.A. molecules and transverse cuts of pawpaws and apple slices showing the packing of seeds in Phi-ve (5) Pointed Star arrangements.

·        The nesting of the 5 and only universal shapes that fit inside a sphere: the 5 Platonic Solids, are the Keys to Alchemy, and obey a universal mathematical ratio determined by the famous FIBONACCI SEQUENCE:
0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 etc These numbers are noticed in the counter-rotating fields or spirals of the sunflower, pine cone and many other biological forms.

·        This is the study of the Universe as reflected in all parts of the Human Body.

·        This is the MATHEMATICS OF INFINTY: PHI (Ф), expressed as a principle rather than a number. “Unity is in relationship to 1.618…” etc or 1:1.61803398… (The decimal part goes on forever without any detectable repetitious pattern) and has fascinated many cultures for millennia and been dubbed, by great philosophers as a Transcendental Number, like Pi (B), again having no handle to grab or understand its decimal path.

·        Finally, for the first time in print, a distinct handle or PATTERN HAS BEEN FOUND and is revealed in Chapter 7 of this book:
PHI DECODED. SECRET FORMULA REVEALED. The clue is related to the external angle of the Pentagram, being 108˚.

• PREFACE
         ― The Author’s Name
• INTRODUCTION

       ― Language of Light Suppressed

       ― In Search of Triangle d’Or

       ― Importance of Diet

• CHAPTER 1

      WHAT IS THE GOLDEN SECTION?

       ― Phi-Loso-Phi  and  St Nd Rd

       ― Unity In Trinity, The Three That Are One,

    Unity Tri-Vided

― Phi to 50 Decimal Places

• CHAPTER 2

      FIBONACCI

       ― The Rabbit Problem

       ― Genealogy of the /drone Bee

       ― Fibonacci’s Contribution to Modern Mathematics

       ― Fibonacci Numbers in Physics

• CHAPTER 3

      FEATURES OF THE FIBONACCI SEQUENCE

― Voroslev’s Use of Fibonacci Numbers in the Stock     Market

― A Tribute to 1/89 (1 ÷ 89)

― Fibonacci Numbers in Pascal’s Triangle

• CHAPTER 4

      THE PHI WAVE

― The Phi Wave is both a Geometric and Arithmetic Series

― Phi Knows How to Add and Multiply Itself

― The Squaring of the Circle

• CHAPTER 5
  
  OF TEN-NESS

       ― Harmonics of a Decagon

       ― The Temple of Diana

       ― Construction of the Decagon = Phi Based

•  CHAPTER 6

       DID YOU KNOW

       ― Venus’ 8 Year Orbit Traces a Pentagram

― Earth (365 days) and Venus (225 days) Orbits in Phi Ratio

― Ancient Chinese Puzzle whose solution is a Pentagram

       ― Musical Proportions and the ”Fifth” in Phi Ratio

       ― Lucas Numbers: 3, 4, 7, 11, 18, 29, 47, 76, etc

― Eliphas Levi’s symbol of the Pentacle with Tetragrammaton

― Nature Uses the Atomic Structure of Pentagonal DiPyramids

― The Periodic Table of Elements in Phi Spiral

― Dimples of Golf Ball in Dodecahedral Pattern

― John Dee’s Holy Pentacle and Enochian Alphabet

― Magic Pentagram whose Magic Sums = 24 etc

― Magic Stars and Magic Circles

•  CHAPTER 7

       PART 1: THE SECRET FORMULA REVEALED

       ― A Pattern in Phi has been Discovered!

       ― Disguised as the Gayatri Mantra (108)

       ― Phi 108 Pulse

PART 2: THE MOVIE.
― Scene 1. An Emotional Speech

•  APPENDIX

       SYNOPSIS

•  ACKNOWLEDGEMENTS of GRAPHICS USED
•  BIBLIOGRAPHY
•  INDEX
  
  
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